I replaced my iPhone 16 Pro Max with this pocket camera for video shooting – and can’t go back

managed to change that.

I’ve seen the Pocket 3 takeover firsthand, witnessing other tech journalists slowly replacing their heavier, bulkier, and more complicated DSLRs and smartphones with the flip-out camera. My default shooter, a Sony A7S III with a GM 16-35mm lens, weighs almost three pounds, so I get it.

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But there’s more than meets the eye with the Pocket 3; its portability and convenience will draw you in, but its extensive shooting modes and recording tools will make you come back for more. I’ve been testing the Pocket 3 for about two months now, and here’s what you should know about the hottest camera in tech.

While this is the third iteration of the DJI Osmo Pocket, the company has upgraded the device in almost every way, from the larger two-inch display that can flip from vertical (portrait) video recording to horizontal (landscape) to the larger, more capable one-inch CMOS sensor. Altogether, you’re getting a very capable camera that will fit in most pants pockets, shoulder bags, and backpacks.

Navigating the settings is a simple system of swipes, taps, and long presses. If you’ve used an action camera before, the user interface will be very familiar, from basic recording functions like adjusting zoom and video format to more professional modifications like turning on D-Log M, should you want to further modify colors and contrast levels or better match your footage with a second camera. 

One advantage of using the Pocket 3 over the latest iPhone 16 Pro Max, for example, is its three-axis gimbal mechanical stabilization. Compared to the smaller optical image stabilizers found in smartphone cameras, which are often paired with some level of artificial electronic stabilization, there are noticeably fewer jitters and shakiness when recording with the Pocket 3. Since the camera is held up by a rotating gimbal, you can swivel it side-to-side for smooth-panning videos and turn it 180 degrees for vlogging.

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While I found software-enabled tracking features like ActiveTrack 6.0, which prompts the camera to automatically follow your desired subject, very useful when capturing products at tech briefings or of presenters walking around, the physical, joy-stick-like control pad was clunkier to operate. For example, holding the control pad in one direction for a panning shot often resulted in footage with less natural movement. The camera also moves a bit too slowly for my taste, so I’ve reconfigured the control pad to adjust the zoom range instead.